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On March 18, , Marcel Duchamp received an unexpected visit from his two brothers, Jacques Villon and Raymond Duchamp-Villon, at his studio in Neuilly-sur-Seine. They informed their younger brother that the hanging committee of the Salon des Indépendants exhibition in Paris, which included themselves, Albert Gleizes, Jean Metzinger, and others, had rejected his Nude Descending a Staircase.

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Duchamp's Nude Descending a Staircase (No. 2) sparked a storm of controversy at the International Exhibition of Modern Art held at the National Guard 69th Regiment Armory in New York in The painting was perceived by the majority of art critics to be utterly unintelligible, and it soon became the butt of jokes, jingles, and caricatures.

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Other articles where Nude Descending a Staircase, No. 2 is discussed: Marcel Duchamp: Early years: appears the idea for the Nude Descending a Staircase, No. 2. The main difference between the two works is that in the earlier one the kangaroo-like silhouettes can be distinguished. In the Nude, on the other hand, there is no nude at all but only a descending machine, a nonobjective.


Nude Descending a Staircase, No. 2 (French: Nu descendant un escalier n° 2) is a painting by Marcel work is widely regarded as a Modernist classic and has become one of the most famous of its time. In its first presentation at the Parisian Salon des Indépendants, it was rejected by the Cubists and caused a huge stir during its exhibition at the Armory Show in New York. Associated with the Dada, Surrealist, Cubist, and Futurist movements, Marcel Duchamp radically subverted conventional practices of artmaking and display, challenging such weighty notions as the hand of the artist and the sanctity of the art object. Duchamp’s depiction of dynamic Cubist forms in Nude Descending a . Read more.
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